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Eastern Orthodox Churches generally follow the same architectural formula- the form of a dome superimposed on a cross or a basilica, Architecturally, the interior of Saint George is heavily influenced by elements found in the Great Church Christ, commonly called Agia Sofia, in Constantinople (present- day Istanbul), particularly in the sweeping arches and the dome. Unlike non-Orthodox churches which use steeples and spires, the Byzantine roof is typically constructed with one or more domes. The dome is a symbol of the union of heaven and earth. The dome of St. George, influenced by the dome of Agia Sofia, is made of interlocking copper plates and is pierced by 24 windows and reminiscent of the dome of the Great Church floating on a sea of light. The dome has an internal diameter of 30 feet, external diameter of 34 feet and an internal height of 55 feet from the floor. Externally, it is crowned with a cross which symbolizes the holiness and strength of Christ's Church. The top of the cross is 60 feet from the ground. Saint George was designed by Sam Grillas and Mark Lawrence of Grillias, Pirc, Roser and Alves of Irvine, California. The floor space is approximately 10,000 square feet and has a designed seating capacity of 383 persons.
The Narthex is the entry vestibule of an Orthodox Church. The Narthex contains a "sand urn" for holding candles and an Icon Stand. When Orthodox Christians enter the Church they light Candles and venerate the icon. Candles constantly remind us that Christ is the Light of the World and that we are called to reflect that Light in our lives. The design of the windows in the Narthex area of the Church were inspired by the church of St. Anna in Heraklion, Crete built in 1555. The Nave is the largest part of the Church.
It is here that the people gather for the celebration of the sacraments
and services. Between the Altar area and the main
The
Sanctuary, or Altar, is separated from Nave by an Icon Screen or
lconostasion. The Iconostasion is symbolic of the Temple Veil in the Old
Testament which separated the Holy of Holies from the remainder of the
Temple. On the Iconostasion are icons which are painted according to the
Orthodox Tradition. There is a definite scheme of placement of the chief
icons on the Iconostasion. The icons on the right side are those of the
Lord Jesus Christ and St John the Baptist, the Archangel Gabriel and St
Demetrios. Those on the left are, the Virgin Mary and St George, the
Archangel Michael and Sts Constantine and Helen. Orthodox icons are not
intended to be realistic paintings but stylized representations of Saints
and events important in the life The Sanctuary, where the Altar Table is
located, traditionally is the eastern most area of the Church. (In
Orthodox Theology the Altar is always considered the East irrespective of
the actual geographic orientation of the Church.) When a Church is
consecrated, relics of martyrs are placed within the Altar Table. The
Church has been built on the faith and blood of the martyrs. The early
Church found itself worshipping in the catacombs and among the tombs of
the martyrs. In a very real sense we continue that same practice since
every consecrated altar is a tomb of martyrs. The Holy Table is draped
with an ornate cloth and upon the Altar are found the Tabernacle which
contains Holy Communion for the sick; the Antimension, a consecrated Icon
Cloth on Behind the Holy Table is a large, wooden
cross bearing an icon of the Body of Christ. The table to the left of the
apse is the Table of Preparation where the Chalice and Beautification Summer 2007 will witness the painting of Christ Pantocrator in the dome as well as various saints in the transepts. The Iconostasion for St. George was
installed in February 2007. It was designed and crafted by Konstantinos
Pilarinos of New York. |
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